Sovay Berriman
Selected Solo Exhibitions
2014
Molluscs Hunt Wizards, a journey looking for markers and boundaries of experience and potential within desert and plains landscapes
2013
The Agency, London
Sepulchre by the Sea, Malgras|Naudet, Manchester
2011
Rostra for a Shifting Stage, Motorcade/FlashParade, Bristol
Rising Cities Float, The Agency, London
2010/2011
Readings, a series of reading in different locations including The Eve of St Agnes at the Forum Romanum, Rome and
The Waste Land on The Lizard Peninsular, Cornwall.
2010
Entertaining at The Dust Lounge, Phoenix Gallery, Exeter Arts Centre
2009
Study, The Link Gallery, Royal Cornwall Museum.
Ghosts, Landscape, Literature: A Walk with Dr Shelley Trower, Yorkshire.
2008
Fred Astaire & Ginger Rogers Back to Back, Picture This, Bristol.
Cabin Tactics, North Cabin, Bristol. Commission for off-site space curated by Katherine Daley-Yates.
Selected Group Exhibitions
2015
Oculist Witnesses: According to Duchamp, Harris Museum & Art Gallery, Preston.
2014
(small) Gems, Robin Gibson Gallery, Sydney
2013
The Starseed Transmission, Enclave, London
2012
Art Gwangju 2012 with The Agency, South Korea
The Count of Monte Cristo, The Round Tower, Portsmouth
Beaten Black, Blue, Red, Green and Gold, Splott, Wales
Representing Nothing, The Agency, London
59.14 N 3.34 W, Brough of Birsay, Orkney. Curated by Laura Mansfield
Hijack, Stapleton Road Tavern, Bristol
2011-12
The Potential for Windows and Scale, Contemporary Art Society, London, with Lucy Drane, Hannah James, Suzanne Mooney and Marie Toseland. Part of Rotate
2011
To Pay Respect to The Generosity of The Three-Minute Punk-Rock Song, Crate, Margate
Strange Loops, Generator Projects, Dundee. A group show curated by Craig Mulholland.
2010
A Theatre to Address 2: in excessive structure, Cartel, London. A group show curated by Bridget Crone with work from
Mikko Canini and Tai Shani.
Malgras|Naudet at Summer House, Castlefield, Manchester.
The Artists' Wakes, Bury Art Gallery, Lancashire.
The Crystal Palace (Destroyed), Works|Projects, Bristol. Including work of Heather & Ivan Morrison and Melanie Counsell.
A Theatre to Address, Media Art Bath 'festival of t, Arnolfini, Bristol.
This Matter, Royal Standard, Liverpool. With Thomas Chaffe and Ilana Halperin.
2009
By Appointment Only, Birmingham.
2008
Clap your hands say..., Rhys & Hannah Present, Bristol.
OPENENDED, Rogue Studios Project Space, Manchester
2007
Unity Woods, Scorrier, Cornwall.
Obstacle, Spectacle, Birmingham. Curated by Dan Mort and including work from Ian Rawlinson and Michael Stumpf
Conjunction 06, The Works Gallery, Birmingham.
2002 Group Show, Cité Internationale des Arts, Paris.
PUBLICATIONS
Sep 2013, it all started when the days seemed quite plain, publication by Sarah Carne, launched at Banner Repeater, London
August 2012,Documentation of artwork in 59.14 N 3.34 W catalogue
Feb 2012, Text and drawing for publication to accompany the exhibition The Potential for Windows and Scale. Produced by An Endless Supply
Leisure Centre, Gothic Edition guest edited by Marie-Anne McQuay, October 2009. Including work from Elizabeth Price and Craig Mulholland.
An Endless Supply Another Satellite, Sept 2009,
Porned Symbol for Porned, September 2008. Drawing selected for artist's publication by Folded, Glued & Printed.
Galled Story for Galled, September 2008. Short story selected for artist's publication by Folded, Glued & Printed.
Art Monthly, Symbol ad, June 2008, p17. Symbol placed in Art Monthly.
Vol2 February 2008, issue 1, p6. Published by Folded, Glued & Printed, as part of Transitions: Curators' Edition, Newlyn Art Gallery
REVIEWS
Feb 2015, Corridor 8 online, review of Oculist Witneses: According to Duchamp at the Harris Museum & Art Gallery, by Sam Pickett
Aug 2014,a-n online, An Artist-led Adventure: Memories, Markers and a Walk in the Desert by Stephen Palmer about Molluscs Hunt Wizards< br>June 2012,Art Slant, review of Representing Nothing… by John MF Casey
Summer 2011, Art Review, p161, review of Strange Loops by Susannah Thompson
March 2011, The Skinny, review of Strange Loops by Andrew Cattanach
Feb 2010, a_n, p11, review of Control Point: A Temporary Facility by Gabrielle Hoad.
Feb 2010, p36, Aldo Rinaldi and Katherine Daley-Yates discuss North Cabin.
Sept 2008, a-n, p16, review of Cabin Tactics by Colin Glenn.
June 2008, Review of OPENENDED by Laura Mansfield, http://www.openendedproject.com/page6.htm
Sept 2007, a-n, p8, review of more by Megan Wakefield.
August 2007, a-n , p7, review of more by Megan Wakefield.
July2007,Review of The Great War, http://www.artcornwall.org/exhibition_more_july.htm
April 2007, a-n reviews unedited, review of Obstacle by Matt Roberts,
26th Nov 2006, The Observer: Escape, p11, review of contemporary art practice in Cornwall including eek.
Autumn 2006, Contemporary, Issue 86, p72, review of eek by Michele Robecchi.
Education
2001 - 2003 MA (RCA) Sculpture, Royal College of Art, London
1996 - 1999 BA (Hons) Fine Art, University of East London
1994 - 1996 Foundation Diploma Art & Design, Falmouth College of Arts, Cornwall
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