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___________________________________________________________ Man Ray, Les Papillons qui tombent du ciel ont soif, 1958, In 2016 a small assemblage in ink and watercolour by Man Ray (1890-1976), “Les Papillons qui tombent du ciel ont soif“, served as the central reference in a group exhibition entitled Strange Attractor featuring female artists whose practice engages with legacies of modernism. ___________________________________________________________
___________________________________________________________ Helena Hamilton,Semblance and Event II, interactive light and sound composition, MCAC Portadown, 2018 Helena Hamilton,Sonic Artist and Composer. Supporting curator and artist with RESIST festival, Belfast. ___________________________________________________________
___________________________________________________________ Oliver Ressler, The Visible and the Invisible,2013,Videostill Multimedia artist and activist, Prix Thun for Art and Ethics 2016.Works adressing the post-democratic era and the deep crisis of neoliberal capitalism, migration, citizenship, democracy, and capital. The works document and observe a variety of grassroots movements and witness and explore the terminology and structure of capitalist realism. Bedtime for Democracy 2017 - How's the air up there? 2019 ___________________________________________________________ ___________________________________________________________ David Gumbs, Blood, 2018, Video Still Divinationsfor the World to Come. Curated by Bokantaj (Alinta Sara and Aminat Lawal Agoro) Hervé Beuze(Martinique) and David Gumbs (Saint Martin) for the first time in the UK. The two Caribbean artists address the role of the body in relation to emergent and future technologies. ___________________________________________________________
___________________________________________________________ Ariel Reichman and Franco Vaccari, Installation View, 2015 When theAgency. was founded one of the first discussions was centred on the perceived crisis of conceptual art. In a return to this line of thought the practice of Ariel Reichman (1979) work Dear Felix, I am sorry but we are just too scared to fly (2013),created in homage to Felix Gonzalez Torres, was also found mirrored Franco Vaccari’s (1936) Esposizione in tempo reale n° 19, Codemondo,(Venice Biennale 1980). ___________________________________________________________
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